Krecidade offers a dialogue with the convergent and temporary. The city with its social structure woven in texture, tapestries and connections that indicate paths and addresses. Pathways that may bring people closer or elicit disgust, the urban chaos that makes human beings invisible, the growling of motor engines and the screaming sounds of horns. The Kaingang words sinui-beautiful or korég-ugly might come to mind in parallel with the Kaingang presence whenever it might be observed in the city. People in cars glance at the Kaingang baskets being sold by them at crossings and traffic lights.